(Tubes)
(Tubes)
Line 36: Line 36:
 
Dulux L lamps are specially designed for television studio lighting. They provide high lumen packages and offer excellent color stability, even when dimmed down to 50%.
 
Dulux L lamps are specially designed for television studio lighting. They provide high lumen packages and offer excellent color stability, even when dimmed down to 50%.
 
The special phosphor allow them to seamlessly blend in with the light from other tungsten (warm) or metal halide (daylight) lamps on the set.
 
The special phosphor allow them to seamlessly blend in with the light from other tungsten (warm) or metal halide (daylight) lamps on the set.
The first number (in 930 & 954) is the color rendition level. 9 = 90%+ color rendition fidelity (see http://en.wikipedia.org/wiki/Fluorescent_lamp#Color_rendering_index).
+
 
 +
====Color Rendition Index (CRI)
 +
The first number (in 930 & 954) is the color rendition level.  
 +
 
 +
9 = 90%+ color rendition fidelity (see http://en.wikipedia.org/wiki/Fluorescent_lamp#Color_rendering_index).
 +
 
 
Kino were the first to manufacture tubes with this 95+% color rendition fidelity which might be even better than the one by Osram outlined here.
 
Kino were the first to manufacture tubes with this 95+% color rendition fidelity which might be even better than the one by Osram outlined here.
 +
 
Note that you can buy those kinoflo tubes "spare part" also, in the same price range (http://www.filmandvideolighting.com/2ft55tub6pac.html) - though we do not know if the Kinoflo ballast treats the tubes in a special way that enables/improves their performance.
 
Note that you can buy those kinoflo tubes "spare part" also, in the same price range (http://www.filmandvideolighting.com/2ft55tub6pac.html) - though we do not know if the Kinoflo ballast treats the tubes in a special way that enables/improves their performance.
  
Holder:
+
====Holder====
 
https://www.google.com/search?tbm=shop&q=2G11#hl=en&tbm=shop&sclient=psy-ab&q=2G11+holder&oq=2G11+holder&gs_l=serp.3...5276.6284.0.6432.7.7.0.0.0.0.248.1003.0j5j1.6.0...0.0...1c.6ZELMcl-8IQ&pbx=1&fp=1&biw=1366&bih=571&bav=on.2,or.r_cp.r_qf.&cad=b&sei=dY1mUZbcIev74QTurIG4Aw
 
https://www.google.com/search?tbm=shop&q=2G11#hl=en&tbm=shop&sclient=psy-ab&q=2G11+holder&oq=2G11+holder&gs_l=serp.3...5276.6284.0.6432.7.7.0.0.0.0.248.1003.0j5j1.6.0...0.0...1c.6ZELMcl-8IQ&pbx=1&fp=1&biw=1366&bih=571&bav=on.2,or.r_cp.r_qf.&cad=b&sei=dY1mUZbcIev74QTurIG4Aw
  

Revision as of 13:46, 13 April 2013

1 Disclaimer

This page is the result of the discussion that started on the apertus forums: http://www.apertus.org/forums/viewtopic.php?f=4&t=662

Currently it is a collection of information required to actually build one of these.

As always with DIY products that use electricity: be careful - don't kill yourself or your cast and crew - hands off if you don't know what you are doing!

Divalite400.jpg

2 Facts

2.1 General

  • Normal fluorescent lights as they are used in buildings, parking lots, offices, etc. are unsuited as they flicker with twice the grid frequency (100/120 Hz) and this gives a pumping or flicker effect when shooting video. So what we need are high speed electronic flickering fluorescent tubes (35-45 KHz). At this frequency the flickering overlaps and this leads to a constant light flux with no noticeable fluctuations in light intensity.
  • We need a fluorescent tube, an electronic controller (called ballast) and a starter (sometime integrated in the ballast).
  • The ballast provides a high initial voltage to initiate the discharge, then rapidly limits the lamp current to safely sustain the discharge.
  • There are 2 types of ballasts: Electromagnetic ballasts (strong flickering and humming audible noise) and electronic ballasts (high frequency = unnoticeable flickering, no audible noise) <- so this is the one we need: Wikipedia: Fluorescent lamps using high-frequency electronic ballasts do not produce visible light flicker, since above about 5 kHz, the excited electron state half-life is longer than a half cycle, and light production becomes continuous.
  • Fluorescent ballasts are manufactured for three primary types of fluorescent lamps: preheat, rapid start, and instant start.
  • Only "rapid start mode" ballasts are suitable for dimming
  • Dimming might change the color temperature of the light (depending on tube quality)

2.2 Tubes

Tubes that some DIY cinematographers are already using:

Osram-dulux-l-he.jpg

  • Osram Dulux L 55w 930 (Tungsten)
  • Osram Dulux L 55w 954 (Daylight)

or

  • Philips Master PL-L 830 4P (Tungsten)
  • Philips Master PL-L 840 4P (Daylight)

These cost around 6 - 20€ each and are easy to source locally.

They all use a 2G11 socket.

Dulux L lamps are specially designed for television studio lighting. They provide high lumen packages and offer excellent color stability, even when dimmed down to 50%. The special phosphor allow them to seamlessly blend in with the light from other tungsten (warm) or metal halide (daylight) lamps on the set.

====Color Rendition Index (CRI) The first number (in 930 & 954) is the color rendition level.

9 = 90%+ color rendition fidelity (see http://en.wikipedia.org/wiki/Fluorescent_lamp#Color_rendering_index).

Kino were the first to manufacture tubes with this 95+% color rendition fidelity which might be even better than the one by Osram outlined here.

Note that you can buy those kinoflo tubes "spare part" also, in the same price range (http://www.filmandvideolighting.com/2ft55tub6pac.html) - though we do not know if the Kinoflo ballast treats the tubes in a special way that enables/improves their performance.

2.2.1 Holder

https://www.google.com/search?tbm=shop&q=2G11#hl=en&tbm=shop&sclient=psy-ab&q=2G11+holder&oq=2G11+holder&gs_l=serp.3...5276.6284.0.6432.7.7.0.0.0.0.248.1003.0j5j1.6.0...0.0...1c.6ZELMcl-8IQ&pbx=1&fp=1&biw=1366&bih=571&bav=on.2,or.r_cp.r_qf.&cad=b&sei=dY1mUZbcIev74QTurIG4Aw

2.2.2 Tube designations

When you research fluorescent tubes you will immediately stumble over designations like T8, T5 or T12.

Quite simply, "T" is the diameter of the tube. A T12 bulb will have a diameter of 12/8" (3.81cm).

Please note that the recommended tubes above are twin tube designs and do not follow the T standard.

Typically the more narrow the lamp, the more efficient and the more expensive it will be. Different designations also use different socket types (from http://en.wikipedia.org/wiki/Fluorescent-lamp_formats):

Fluorescent tube diameter designation comparison
Designation Tube diameter Extra
(in) (mm) Socket Notes
T2 1/4" approx. 7 WP4.5x8.5d Osram Fluorescent Miniature (FM) tubes only Havells Sylvania Luxline Slim T2 Linear
T4 1/2" 12,7 G5 bipin Slim lamps. Power ratings and lengths not standardized (and not the same) between different manufacturers
T5 T16 5/8" 15,9 G5 bipin Original 4–13 W range from 1950s or earlier.
T8 T26 1 25,4 G13 bipin/single pin/recessed double contact
T9 T29 1 1/8" G10q quadpin contact Circular fluorescent tubes only
T10 1 1/4" G13 bipin
T12 T38 1 1/2" G13 bipin/single pin/recessed double contact not as efficient as new lamps

2.3 Ballast

  • Dimmable ballasts are in general more expensive (50-90€) than non dimmable ones (20-30€)
  • The ballast needs to match the watts of the used fluorescent tube
  • Some ballasts can supply 2 fluorescent tubes (indicated with markings like "2x58W")
  • The Osram ballasts matching the Dulux L series are called T8 high frequency electronic ballast: QUICKTRONIC
  • The Oscram Quicktronic dimmable ballasts have a digital interface (called DALI) that lets you control the lamps electronically: http://en.wikipedia.org/wiki/Digital_Addressable_Lighting_Interface <- Arduino based wireless light control over bluetooth anyone?

3 Energy Efficiency

Everyone talks about LEDs recently and how they are going to replace traditional light bulbs.

But lets take a look at the facts:

3.1 The Theory

Wikipedia: http://en.wikipedia.org/wiki/Luminous_efficacy

The luminous coefficient is luminous efficiency expressed as a value between zero and one, with one corresponding to an efficacy of 683 lm/W.

So the maximum physically possible output of one Watt of electric power are 683 Lumens of light. Depending on this efficiency the rest of energy is converted to heat rather than photons/light.

Lamp Type Luminous Coefficient
Candle 0.04%
Tungsten Incandescent Bulb 2 - 3%
Tungsten Halogen 2.5 - 3.5%
LED 0.7 - 15%
Fluorescent Tube 9 - 15%
HMI 9.5 – 17%

So Fluorescent Tubes are just as energy efficient as LEDs and have been around for quite some time already.

4 Instruction Videos

http://www.youtube.com/watch?v=O7LNXLu9Z6g

http://www.youtube.com/watch?v=uIxy6p4kzd0